The book "Wetlands, Petrochemicals, and Imagining an Island 濕地、石化、島嶼想像" (Wu and Wu 2011), see also the review by Wen-Ling Tu (2011) and book chapter by Kathryn Yalan Chang (2023), quotes below.
“Wetlands, Petrochemicals, and Imagining an Island represents the voices of regional residents, environmental protection activists, artists, cultural critics, and university teachers and students from around the country. It offers an insight into grassroots bioregionalism through its mixture of local voices, place-related poetry, songs, essays, analyses of the Sixth Naphtha Cracker Plant (1991) in Yunlin County, discussions of the environmental impact assessment of petrochemical technologies in Changhua County, records of community events, and details of environmental activism. Wu and Wu and the other authors represented in the collection share the same concerns about how the petrochemical industry has greatly impacted the environment and public health.” (Chang, 2023, p. 163)
“What counts as the Taiwan environmental imagination in the event of the anti-Kuokuang campaign? The environmental imagination in Wu and Wu’s book is not an exclusively anthropocentric one; rather, it takes into consideration the threats to nonhuman species and the habitats of these species.” (Chang, 2023, p. 166)
“As Taiwanese culture continues to be influenced by liberalization, modernization, and westernization, social movements and political reforms are not taking, and need not take, the form of a radical political revolution or violent acts against the government. Anti-Kuokuang campaign actions include spiritual blessings and ceremonies, music videos, and social media petitions against Kuokuang Petrochemical Corporation Factory. Wu and Wu’s Wetlands, Petrochemicals, and Imagining an Island is also particularly significant, for it provides a historical and political environmental analysis of the Kuokuang. Even if a reader has no idea about the Kuokuang project, he/ she can learn about the project through the more creative material in the book such as poems and other creative writings.” (Chang, 2023, p. 172)
